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It's probably important to note that Brain Stew's guitar/bass isn't diatonic, though. If you're trying to make a mashup or something using it it won't necessarily work, the vocals are what let us call it G# minor rather than some obscure scale (blues octatonic minor?) involving G#, C, C#, D#, E, F, and F#. Without the vocals those are all that's there, with them we get an idea of the important notes which allows us to analyze the F and C as accidentals. The vocals of Brain Stew have a G# coinciding with the F power chord, which is consonant, but in other songs it could just as easily end up a B, which would form a tritone and minor second. __________________________________________________________ Before Rockband ever came out there were a few acapellas and instrumentals floating around, notably I remember having them for Brain Stew. Does anyone know where these came from? I'm pretty sure they weren't done artificially but I was younger then and can't find them now because Rockband so maybe they were.

I'm really surprised that you said that

Still prefer Dos tbh

I remember I was playing Troublemaker on guitar once and my friend who has never even heard the Trilogy was like, "That sounds like a Green Day riff."

Pretty much

Jimmy don't be so negative, you just don't come up with lyrics like that, there is alot of thought that goes into something so amazingly awful.

But then you wouldn't hear anything else and your head would look really funny.

DOS > THE UNIVERSE

^ What seems right? Not even the tattoos are!

Off the top of my head there's Paper Lanterns, Dry Ice, Private Ale, Having A Blast, Sassafras Roots, In The End, FOD, Jaded, Tight Wad Hill, Walking Contradiction, American Idiot, Oh Love and Brutal Love.

Green Day is there, and the first time I saw them [billy Joe Armstrong] was wearing a Cheap Trick shirt. http://brightestyoungthings.com/articles/byt-interviews-local-h.htm

Got this 3 years ago