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Showing content with the highest reputation on 02/27/2014 in all areas
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Green Day mentioned Kylie, our pop princess should take a leaf out of Green Day’s book http://www.dailytelegraph.com.au/entertainment/sydney-confidential/kylie-our-pop-princess-should-take-a-leaf-out-of-green-days-book/story-fni0cvc9-12268392410526 points
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The original part of Brutal Love is the best bit. That ending melody is one of the best things they've ever done.5 points
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Opening a concert with Panic Song would be swell5 points
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Last Night On Earth is the best vocal effort we've heard from Billie, by far. The runs so beautifully intertwine with the falsetto. The way he climbs in to those big notes. Fantastic. As for the lyrics, they are pretty good, especially by love song standards.4 points
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So here's an unpopular opinion: I like the countdown at the end of Nuclear Family.3 points
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Brutal Love is easily on my top 5 list...3 points
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If Brutal Love was an original melody it would rank fairly high up there, say top 30 (yeah that's high) but outside of that nothing gets up there from the trilogy. And Stay The Night has grown on me. As has DRB, which is just a good time. Quite frankly it is the best instrumental work of the trilogy.2 points
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Gnarly Scott @internetgnarly Feb 23 Thank you @GreenDay for the guitar and for letting me on stage with you! <3 #pleasedontbeadream2 points
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Back to the Edgar Alan Poe conversation, he's taught in most American high schools and is an American literary icon. He's hardly an unknown scholar in the U.S.2 points
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One of four Breakdown songs I don't even bother to have on my iTunes.1 point
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Okay, so I'm reading a rolling stone article about ranked Nirvana songs and this little fact caught my eye: According to James Washburn, the Green Day pal known as Brain Stew, Courtney Love sent all of Cobain's Fang records to frontman Billie Joe Armstrong. O.O Here's the whole article: http://www.rollingstone.com/music/pictures/no-apologies-all-102-nirvana-songs-ranked-20140227/35-the-money-will-roll-right-in-03592651 point
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Adding on to the Rolling Stone interview, it's such a deep, serious interview and then out of nowhere ends with "i love rootbeer."1 point
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they didn't do kfad at all at leeds fest. i didn't even notice until a few hours later, didn't miss it at all tbh.1 point
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Fair enough. Something from the Trilogy cracking anyone's top ten is unfathomable to me, but then again I'm a cynical bastard at heart.1 point
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Imagine if they decided to blow everyone's minds by opening a gig with Good Riddance. But yeah! Opening Breakdown with Song Of The Century was baffling enough.1 point
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Going back to our opener thing, imagine if they decided to blow everyone's minds by opening the album with "Take Back".1 point
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...............fair enough. Why don't you like it?1 point
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I only just now realized that the gibberish Billie is screeching at the end of "Horseshoes and Hand Grenades" is actually "G-L-O-R-I-A!" and oh my god that makes the song so much better.1 point
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Just cause they didnt do it for a few shows doesnt mean they dropped it They done KFAD/Shout during the Soundwaves shows so far...1 point
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I have to disagree that it's cliched, though. It's so well executed thematically, lyrically and musically, and such an uncommon thing at the time of its release, I wouldn't consider it a cliche.1 point
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Just found this Billie's picture! It's from "Like Sunday Like Rain" Movie!1 point
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I've always loved how Billie changed "got my Kiss records out" to "got my Green Day records out" when they covered Surrender at the Warfield. I guess that's the next best thing.1 point
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Jeff Matika @jeffmatika 4 h Editing TJMS 8 today. Stay tuned!! #workshit #GreenDay #TJMS pic.twitter.com/PJ6mXbIHNM1 point
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As much as I love AI as an album, they're already borderline flogging a dead horse. A movie would just be ridiculous.1 point
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At the risk of getting killed, he's like a cute Pekingese or a Japanese Chin.1 point
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Me too. I'd responded to someone else about how I usually like Billie Joe clean shaven, but this look just does something to me. Not really a beard person, but there's a world of difference between this (no, no, no, no, NO) and this (HOT!).1 point
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